Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Sibel Beyer, Tereza Nováková, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Biographies
Ann Richter is co-founder of Studio Pandan, where she spins many organisational plates and lends her systematic thinking to a variety of design mediums. Prior to setting up the studio, Ann worked at various international design agencies including Graphic Thought Facility in London, Project Projects in New York and Heimann und Schwantes in Berlin. She is also one half of A.R. practice, which devices of projects that sit at the intersection between design and curating; the duo’s work has been shown at the Haus der Kulturen der Welt in Berlin and published by Onomatopee, amongst others. Ann studied visual communication at the State Academy for Visual Arts in Stuttgart and graphic design at the Academy of Fine Arts in Leipzig. In addition to probing contemporary visual culture, you’ll often find Ann reading up on feminism or exploring her Southeast Asian roots, such as perfecting the art of Siopao.

Pia Christmann is co-founder of Studio Pandan, where she manages the day-to-day operations of the studio while also surfacing original visual approaches. Before starting the practice, Pia studied at the Academy Fine Arts Leipzig with professors Markus Dressen, Oliver Klimpel and Maureen Mooren, completing her studies with a diploma cum laude. She was later selected by Wallpaper* magazine as a Best Graduate of the Year in the field of visual communication for her visual essay “But what matters today isn’t work but idleness”, which explores productive boredom, inspiring idleness and, more generally, the relationship between work and leisure. Both inside and outside of the office, Pia is interested in abstract thinking, coincidences and she always flips through books from back to front.

Selected clients
Bundeskunsthalle Bonn/The Art and Exhibition Hall of the Federal Republic of Germany, Guggenheim Museum, Royal College of Art, Staatliche Museen zu Berlin – Hamburger Bahnhof – Museum für Gegenwart, Dresden State Art Collections (SKD), Swiss Federal Institute of Technology in Zurich (ETHZ), Berlin University of the Arts (UDK), Free University of Berlin (FU), NIKE, AIGA the professional association for design, DAAD German Academic Exchange Service, form design magazine, DUMMY Verlag, Spector Books, Deutsches Literaturinstitut Leipzig (DLL), Institut für Entwerfen und Städtebau LU Hannover, Leibniz Institute for Tropospheric Research, Kunstmuseum Reutlingen, Museum Villa Stuck, NEMO Network of European Museums Organisations, Edit, Sternberg Press, Schering Stiftung, Falling Walls Foundation, Fabriktheater Rote Fabrik Zurich, radialsystem Berlin, Kinostar, Fat Cat Records.

Media
Ads, Animations, apps, art books, art direction, bags, banners, booklets, books, brochures, business cards, campaigns, CD cases, caps, cards, collages, corporate identities, exhibition graphics, exhibition signage, flags, flyers, illustrations, logos, LPs, magazines, novels, packaging, posters, presentation templates, puzzles, record covers, stamps, stationery, stickers, T-shirts, visual identities, visual systems, wall texts, websites ...

Applications
We offer internships as well as freelance opportunities on a project-by-project basis. Please send your applications (CV, portfolio and cover letter) by email to: work@pandan.co. German language skills are an advantage and at least four semesters of student enrollment is required. Thank you for understanding that we are unfortunately unable to respond to all emails and enquiries.

Staff and interns
We would like to thank the following people for their past and present work in our team: Vreni Knödler, Lisa Drechsel, Julia Kemperman, Franziska Doll, Anastasia Marx, Jina Heo, Ronja Lang, Lili Dubbick, Lena Rossbach, Elliot Frydenberg, Lara Luk-Fenn.

Write-ups
“Eye-catching, often heavily typographic and conceptual results.” (Madeleine Morley for AIGA Eye on Design)
“With a strong eye for unusual, striking typography (…) they are increasingly in-demand.” (Louise Benson for Elephant)
“Studio Pandan is producing some of my favorite design work these days — combining a sense of typographic rigor with a playful, experimental approach to structure and visual form across media. I'm always excited to see what they'll make next!” (Prem Krishnamurthy, Wkshps and P!)

Publications | Awards (Selection)
2022  PAGE, 05/22 & 08/22
2021  PAGE, 01/21
2020  form 287
2020  Schönste Deutsche Bücher 2020
2020  Willy Fleckhaus Preis (ADC), Nomination
2019  Willy Fleckhaus Preis (ADC), Nomination
2019  elephant.art 
2019  GRAPHIC Magazine, No 44
2019  eyeondesign.aiga.org
2019  Schönste Deutsche Bücher 2019, Shortlist
2019  Stack Awards 2019: Magazine of the Year, Shortlist
2018  All Possible Futures: Unrealized Archive, Institute of advanced Uncertainity, San Francisco
2017  not a muse
2016  PAGE online
2016  Wallpaper* Magazine, Graduate Directory 2016
2016  Nomination, Sächsischer Staatspreis für Design
2016  International Exhibition of 27th International Biennal of Graphic Design Brno, Brno ( CZ )
2015  Grafik Magazine 
2015  it’s nice that
2015  A.R. practice: ON VIEW, Kunstverein KV—Leipzig, www.on-view.eu 
2014  Nomination, Sächsischer Staatspreis für Design
2014  A.R. practice, Returning to Sender, Haus der Kulturen der Welt, Berlin
2014  International Exhibition of 26th International Biennale of Graphic Design Brno, Brno ( CZ )
2013  Azimuts No. 37/38

Lectures | Teaching | Workshops (Selection)
2022  Book presentation “Dem Wasser folgen”, Kunsthalle Bielefeld
2022  Book presentation “Zach Blas: Unknown Ideals”, Berlin Biennale
2022  Lecture, Weissensee Kunsthochschule Berlin
2022  Lecture, Captcha Design Festival Mannheim
2022  Poster Workshop, Academy of Fine Arts Nuremberg
2022  Digital Space Workshop, Burg Giebichenstein University of Art and Design Halle
2021 Teaching position, Editorial-Design Seminar, University of the Arts Bremen
2021  Typography workshop, Burg Giebichenstein University of Art and Design Halle
2021  Lecture, tgm typografische gesellschaft München
2020  Book editorship, A.R. practice (Ann Richter) at Onomatopee
2019  Poster workshop, M.A. Typography, Muthesius Kunsthochschule Kiel
2019  Lecture, Positions Conference, Designer’s Open, Leipzig
2019  Lecture, Show & Tell, Berlin
2019  Lecture and guest critique by Ann Richter, HSD Hochschule Düsseldorf
2018/19  Teaching position, Identity Systems Seminar, University of Applied Sciences, Berlin
2018/19  Teaching position, Editorial-Design Seminar, Berlin University of the Arts
2016  Lecture, A.R. practice (Ann Richter), at +ultra gestaltung schafft wissen at Martin-Gropius-Bau, Berlin
2013  Typography workshop, Ann Richter and Lysanne Bellemare, Academy of Fine Arts Leipzig

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